Space, time, human beings as ‘prosthetic gods,’ and the ephemeral nature of love are examined.
-
Series: Work in Progress
-
Show Type: Monologue
-
Cast: Joe Frank
-
Air Date: 1986
-
Digital Audio Bit Rate: 128kbps
Space, time, human beings as ‘prosthetic gods,’ and the ephemeral nature of love are examined.
You must be logged in to post a review.
"[Joe Frank] is one of the great, original radio performers. He's created a sound and style for himself - a complete aesthetic that's entirely his own. I first heard him when I was 19 and it changed everything for me. His work demonstrated the intensity and emotion that the medium is capable of; ingenious…fantastic."
"To me, he's what radio is really for... his show makes me think he's getting to some great truth... so completely captivating and just unlike anything else."
"Although commonly categorized as radio drama, Frank's work bears very little resemblance to the stagy artifice of plays performed over air. Frank wanders deeply into the unconscious, producing Dionysian stories with a fairy-tale intensity whose effect is often funny, disturbing and deeply memorable."
"Joe Frank is a singular voice in radio. What he has done is hypnotic, psychotic, neurotic, sad, terrifying, and some of the funniest stuff I have ever heard anywhere. I can't think of another radio performer who has come close to achieving this kind of alchemy."
"Frank [is] the apostle of radio noir... His free-form radio dramas... are sometimes moving, often funny, but always manage to confound the listeners' expectations. A maestro of verité, Frank exploits the power of radio..."
"[Joe Frank is] the most imaginative, literate monologist in radio today... If a microphone could capture the nether recesses of the modern psyche, it would sound like Frank's absurd comical excursions: Radio Vertigo."
"Joe Frank is an original whose work has helped form some of the most eccentric, dark and interesting parts of public radio's personality. "
"The world of Joe Frank is a wildly entertaining surrealistic universe...hilarious, unsettling, zany, powerful, moving and perhaps the most unique, inventive and effective use of radio since Orson Welles convinced much of America there was a War of the Worlds."
"[Frank] travels in the emotional landscape of Bergman and Fellini; there's a tension and sense of mystery halfway between Kafka and Chandler... and a satiric edge worthy of Firesign Theatre and Woody Allen... No one else in radio is doing what Frank does."
"I came upon Joe Frank's work by accident a number of years ago while driving to my home in the Napa Valley late at night. I couldn't believe the originality and sheer brilliance of what I was hearing. From that moment on I became a dedicated Joe Frank fan. Joe Frank's shows raise the most interesting and enduring questions in new and original ways and are consistently thought-provoking and very funny."
"Joe Frank's often bizarre scenarios for the mind are decidedly offbeat radio fare...part surreal satire, part bizarre meditation, part fever dream."
"In an arena in which formats are sacrosanct, Joe Frank has charted new territory with his literate, frequently bizarre, wildly funny essays and parodies... He can be funny, poignant, serious and off the wall - sometimes within the framework of the same piece. Unique is one word to describe it. Brilliant is another."
"Frank has created a series of dead-pan radio monologues so sharp and intelligent that during the quiet bits you can almost hear God taking notes."
"Radio's Prince of Darkness Rules the Freeways. [Frank is] alternately dark, bizarre and very funny - but always hard to turn off."
"Joe Frank is an invaluable warrior who stands in defense of our fears, our vanities and our forever-eroding sense of ourselves. He transforms the everyday banality of the human comedy into an inspired weirdness that feeds on pathos and irony, and feels a lot like revelation. Sartre would have called it nausea; Frank makes it art."
"You don't have to close your eyes to appreciate Joe Frank's dense audio universe cascading out of your radio. It helps, though, because there are so many layers - of sound, philosophy, of reality-coursing through his dramas... Come to think of it, after awhile, you won't want to close your eyes because in Frank's short stories for the radio, the tension and pathos are as enveloping as they are intriguing... "

Tyson Polter –
Joe muses philosophically and paints abstract mental landscapes for this hour-long journey of the mind. He touches on passion, purpose, hope, hopelessness, intellect, truth and meaning. Are we like Alexander the Great, motivated by the insatiable desires for power, influence and riches? Will material pursuits ever completely satisfy ones needs? It’s a classic Frank meta-story, a story about storytelling. He describes what it’s like when an actor breaks the “fourth wall” of a drama performance. His approach is both haunting and entertaining, quite an accomplishment given the gravity of the subject matter. If you have the mental ambition and intellectual curiosity to explore the big questions, this episode is for you.
Gary Jungling –
This episode is probably at the top of my list. Ethereal, metaphysical, and sensual. Perfect for headphones late at night. Truly about the nature of being.
If anyone knows the music that plays at the 10:03 minute mark, I would love to know.. a techno beat with a female vocal – not a Jon Hassell tune. I’ve been wondering for years.
Alexander Wolff –
This has always been one of my favorite Joe Frank monologues for many reasons, except for the sexist personal monologue at the end (which also doesn’t the overall mood).
Exceptional here are brilliant Erving Goffman-esque observations on our self-perceptions and performance of self. Also Joe’s poignant musings about sleep, death, and desire. But the glue holding these observations is the beautiful downtempo pop piece that plays throughout. I have been scouring the net for it for a year or two now, and finally found it by accident!
It is the song ” Polaris” by the Japanese band Aragon.